Susan's Designs » Drapery & Home Decorating

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    Welcome to my showcase of design ideas and inspiration for custom home décor, flattering window treatments and other soft furnishings. I have been blessed by being invited into many beautiful homes and meeting the nicest people. I am among the fortunate few who truly enjoy a fulfilling and rewarding profession. Thank you for looking at my work.

Drapery lines define the physical space and can set the mood in a room.   Vertical lines give the impression of steadiness and strength, dignity, formality and loftiness as well as simplicity. When overemphasized however they could have the look of stiffness and even sternness.

banded side panels

banded side panels

Horizontal lines imply relaxation and security.  They express the idea of calmness, quietude and duration.  When horizontal lines are used they tend to elongate, widen and emphasize a casual decorating scheme.

Cornice, Zusie Q, a Susan

Cornice

Straight lines both vertical and horizontal will include stripes, checks and plaids.  These lines used in combination communicate stability and solidity.

Vertical lines are often used in a masculine room while a feminine room would have more curved lines.

Diagonal lines such as triangular and herringbone suggest movement and action.  They are restless and dynamic.  They suggest motion and change and give the feeling of instability.

Zuzie Q, a Susan

Zuzie Q, a Susan’s Drapery Design

Curved lines will promote softness and sensuality, they are lighthearted in appearance and have an effect of being cheerful.   Deep curves on the other hand suggest confusion.

balloon valance

balloon valance

Window coverings are a great way to introduce lines into a room’s design.  General architecture in a room tends to be square and/or rectangular such as rugs, walls, windows and furniture.  Window treatments soften these features with swags, tieback draperies, curved valances and cornices. .

Symmetry adds balance and formality to windows and is generally pleasing and calming to the observer.  Use symmetrical or asymmetrical treatments to create either a formal or a casual feeling.    Symmetry simply means that when an arrangement is divided in half, each half is a mirror image of the other.

drapery panels, Zusie Q, a Susan

drapery panels

 

 

 

Floor length drapery panels are used to soften up the wood blinds in this cozy family room.  They are stationery since the privacy issue is looked after with the wood blinds.  These curtains add softness, color and help curb the sound in this large room.  A single panels is all that is needed on each side of the cathedral wall so as not to crowd the fireplace but double panels are used on each large window for scale.

drapery panels, Zusie Q, a Susan

drapery panels

 

 

 

drapery panels, Zusie Q a Susan

drapery panels

The colors in the print pick up the blue tones of the plush furniture.

 

 

upholstered ottoman, Zusie Q a Susan

ottoman

The ottoman which was originally an off white leather is now recovered in a dimensional print which incorporates the curtain fabric as well as the accessories.

drapery panels, Zusie Q, a Susan

drapery panels

 

 

 

 

This is a very cozy and inviting family room.

There was not a lot of room around this window to hang curtains as the window fit snugly into this alcove.

drapery panels, Zusie @ a Susan

drapery panels

Long side panels, criss/crossed on the rod then tied back with holders add height
and give a stunning visual impact on this bathroom window.

A generous bullion fringe adorns the inside edge of the treatment and
the sides below the tie back are angled to show off the fringe.
It’s quite a simple design and perfect for this wall.

 

rod pocket, Zusie Q a Susan

rod pocket panels

A rod pocket (also called a casing) is an easy window treatment, ideal for that beginner; a project for someone with a modest amount of sewing skills.

rod pocket, Zusie Q a Susan

tripple rod pocket

Turning the top of the curtain fabric down twice and then stitching it along the bottom fold create it.  The top hems are open at both ends so a curtain rod or pole can be inserted.  This is the most common way to hang curtains, café curtains and valances.

A rod pocket can lay flush against the rod, or it can have a ruffle, typically 2 to 4 inches deep.

rod pocket, Zusie Q a Susan

rod pocket with wide ruffle

rod pocket, Zusie Q a Susan

rod pocket with top and bottom header

The curtains may be either unlined or lined.  Sheers and other unlined curtains are more light and airy than curtains that are lined.  However, lining adds extra body to curtains, giving them the look and drape of custom window treatments.  A heading is the portion at the top of a rod pocket curtain that forms a ruffle when the curtain is on the rod.  The width of the heading is the distance from the top of the finished curtain to the top of the stitching line of the rod pocket.

rod pocket, Zusie Q a Susan

rod pocket with swags

The materials you will need include fabric, chalk or fabric marker, thread, scissors, pins, a measuring tape and an iron.

Before you begin to sew, decide where you want the window treatment to be, and install the rod.  Measure from the top of the rod to where you want the lower edge of the curtain.   This is what the finished length of the curtain will measure.

Trim off all the selvages from the fabric panels before you begin, as these tend to shrink and distort your finished project.   The fabric for your curtain should measure two and a half to three times the desired finished width   You may need to sew more than one width of fabric together depending on the size of your window.

rod pocket, Zusie Q a Susan

rod pocket with ruffle

 

rod pocket, Zusie Q a Susan

rod pocket with header

rod pocket, Zusie Q a Susan

wide rod pocket

Add 14 inches to the finished length of your curtain for the hem and the rod pocket.

We are going to use a 4 inch double-fold hem which is often used for decorator fabrics and for this practice example we are using a 3 inch double-fold heading for the rod pocket.   When making your own curtains the rod pocket must be large enough to accommodate the rod or pole comfortably and to allow the curtain to gather on the rod.

rod pocket, Zusie Q a Susan

rod pocket with wide ruffle

 

rod pocket, Zusie Q a Susan

rod pocket with header

rod pocket, Zusie Q a Susan

rod pocket with header

First mark and cut out the fabric.  If there’s more than one width, lay them together, right sides facing, pin them in place and join them using straight stitches.  Press the seams open.  For a well tailored look, your curtain should have neat, even hems.  Pressing is an important step.  Turn under 4 inches along the bottom, press, then 4 more inches for a double hem.  Press and then sew along the second folded edge.  Turn under 1.5 inches along both sides, press, then 1.5 more inches for a double side hem.  Press and then sew along the folded edges.

rod pocket, Zusie Q a Susan

rod pocket swags

To finish the upper edge of the curtain, turn under 3 inches along the top, press, then 3 more inches for a double heading allowance.  Press again and then sew along the folded edge.

Now all you have to do is insert the curtain rod into the top pocket and gather.

A heading is the portion at the top of a rod pocket curtain that forms a ruffle when the curtain is on the rod.  The width of the heading is the distance from the top of the finished curtain to the top of the stitching line of the rod pocket.

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